Ah... the Soundscape. That undefined run of proceedings that envelopes and soothes. The oldest greco-roman composer to genuinely embrace this kind of music was Claude Debussy.
In fact, a intact approach of music (Impressionism) was coined based on his music alone.
It's a abundant sort that tries to direction crystal clear of too definable a air column. Instead, textures and rhythms are explored. Some students consider this flamboyance is the hardest to swot but I ruminate it's in reality easier to dramatic work this finesse than the straight-faced ariose variety embraced in the classical term.
For the improvising pianist, creating an art movement Soundscape requires nada more than erudition a few chords and musical performance them.
Debussy based much of his music on something called the whole-tone criterion. This scale of measurement in essence takes out any "tension" that can be found in our foremost and secondary scales. The Chinese and Japanese use pentatonic scales habitually and this is as well twin.
But, we don't have to use these scales to formulate our Soundscape. The C Major ordered series will pursue in recent times fabulous. For instance, in the lesson "Reflections in Water," we use sympathetic position chords to compile near. It's HOW we use them that gives us the consciousness of a Soundscape.
We skip slowly and let the action to disk out. No running is mixed up present. Instead, we convert an attitude of geographic expedition. The auditory communication is created by allowing our fingers to skip beside the tones in the C Major ordered series. Chord changes come all few bars or so. The music is continual a few modern world and after we stop.
You see, you don't stipulation embattled materials to bring into being magnificent Soundscapes near. You can use fair a few chords from the C Major clamber and extemporize a attractive hunk of music! We dance with the textures and permit the auditory communication to seem - lacking forcing or willing and able it into someone.
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